COMPOSER · PRODUCER ·
MULTI-INSTRUMENTALIST
MUSIC & FULL PRODUCTION SERVICES FOR
FILM · MEDIA · ARTISTS · IMMERSIVE EXPERIENCES
Selected Work
URKE — SHOWREEL
THE CEREMONY
DOWSKI
IMAGINA (FEAT. JULIO TEJERA)
ALGO CONTIGO (FEAT. AITANA FERRER)
Listen
THE CALL
CHRONOS
TIDELINE
ETERNITY
BRISA
OPENING IDENT
WHAT I DO
EVERY PROJECT NEEDS
A DIFFERENT MUSICAL
ANSWER
From original composition to final production, I can take care of the complete musical process — or become part of yours wherever I'm needed.
ORIGINAL MUSIC
& SCORING
Composition · Scoring · Orchestration · Score & Parts Preparation
Original music shaped around story, image and emotion — from the first musical idea to fully orchestrated scores and performance-ready materials.
FULL MUSIC
PRODUCTION
Composition · Arranging · Programming · Recording · Mixing · Mastering
Complete music production from concept to final master, or any individual stage of the process — built around what the project actually needs.
LIVE &
MULTI-INSTRUMENTAL RECORDING
Instrumental Recording · Remote Sessions · Ensemble Sessions · Multi-Instrumental Performance
Real instruments, live musicianship and expressive performance integrated directly into the production — remotely, in the studio or as part of a larger session.
BUILT AROUND
YOUR PRODUCTION
A complete production from start to finish, a specific stage of the process, or a specialist role within your existing team.
I can work independently when efficiency matters, or collaborate with directors, producers, composers, musicians, orchestras, studios and creative teams when the project calls for it.
COMPLETE PRODUCTION OR ANY PART OF THE PROCESS.
WHY THIS APPROACH
THE WAY MUSIC IS MADE
CHANGES WHAT BECOMES POSSIBLE
ONE CONNECTED PROCESS
Composition, performance and production remain connected under one musical vision — reducing unnecessary creative gaps between stages.
A PERFORMER’S PERSPECTIVE
Musical decisions are shaped by real phrasing, breathing, articulation and instrumental behaviour — not only by programming.
TIMBRE ON DEMAND
With more than 60 instruments available in the studio, unusual colours — even for just a few seconds — can be explored and recorded when the scene asks for them.
FASTER CREATIVE ITERATION
Fewer hand-offs can make the creative process more responsive, helping ideas, cues and feedback move through the production with less friction.
SCALE WHEN THE PROJECT NEEDS IT
A focused one-person process when appropriate — or external musicians, ensembles, orchestras, studios and collaborators when the production needs to grow.
REVISION WITHOUT FRICTION
When something needs to change, the process can move backwards as easily as it moves forwards.
Keeping direct control over sessions and selected instrumental sources makes it easier to revisit, re-record and refine earlier stages without unnecessarily rebuilding the production chain.
LIVE SCORING & CONDUCTING
FROM THE SCORE
TO THE STUDIO
When a project calls for a larger ensemble or orchestra, I can prepare, rehearse and conduct the session — keeping the performance aligned with the musical vision established with the director and creative team.
WORKING WITH PRODUCTION
DIRECTOR-SAFE PROCESS
A streamlined review and approval workflow keeps communication, versions and feedback in one clear place — making it easy for directors and creative teams to audition alternatives, approve cues and leave precise revision notes.
EDITORIAL-FRIENDLY DELIVERY
Organised stems, alternates and versions are prepared for a clean editorial and post-production workflow. When larger ensembles are involved, scores and parts are prepared to publication-ready editorial standards.
PRODUCTION-READY SOUND
Recordings, production and mixes are shaped to arrive ready for professional media workflows — while retaining the flexibility needed for final editorial and production decisions.
ABOUT
COMPOSER · PRODUCER · MULTI-INSTRUMENTALIST
BEHIND THE WORK
“An idea can be the beginning of everything, but music emerges from the decisions that give it shape, intention and life.”
I am a composer, producer and multi-instrumentalist, creating music for film, audiovisual projects, immersive experiences and artists.
My approach is deeply connected to real instruments. Wind instruments and piano have been part of my musical life since I was six, but more than twenty years ago I deliberately began expanding that vocabulary through guitars, basses, accordion, percussion, synthesizers, ethnic and world instruments, and many others.
It was never simply about learning to play more instruments. The intention was to broaden my resources as a musician and producer, handle more stages of the process with my own musical judgement, streamline production and maintain greater continuity between the initial idea and the final result.
Today, when I develop a complete production, it is common for 80 to 90% of the instrumentation to be performed and recorded with real instruments, using technology and virtual instruments to expand or reinforce the sound whenever the production calls for it.
My career has developed across recording studios, stages, ensembles, big bands and orchestras. I have worked as a performer, arranger, conductor and studio musician alongside artists and projects including Sole Giménez, Revólver, Armando Manzanero, Michael Mossman, Jonás Trueba, Teatres de la Generalitat Valenciana and the Valencia Film Symphony Orchestra, among many others, as well as contributing to recordings for film, television, radio and numerous record productions.
Spending so many years on the other side of the music stand has profoundly shaped the way I write and produce: I know instruments from the inside, I understand how an ensemble breathes, and I know the journey between writing a score and bringing it into a recording session.
My background spans both classical and contemporary music. I earned a Higher Degree from the Conservatori del Liceu in Barcelona and a degree from Berklee College of Music in Boston, where I graduated Magna Cum Laude, followed by postgraduate studies in Music Research.
Today, I bring all of that experience into creating and producing music for picture and for artists. My recent audiovisual work includes projects for BÍGARO FILMS and AUPA STUDIO, contributing across the process from composition through recording and final production.
I work from my own studio in Valencia, where I can take a production from its first idea through to the final master. This allows me to handle much or all of the process when a project calls for it, but I do not see self-sufficiency as an end in itself. When the music needs a different scale, the process can naturally expand to include musicians, ensembles, orchestras, studios and external production teams.
To me, producing means understanding what each project needs, knowing what each resource can contribute, and finding the best way to turn an idea into music with an identity of its own.
“Music may begin with an idea, but it is not complete until it finds its form, its sound and its place within a story.”
STUDIO
WHERE THE MUSIC
IS MADE
[Concise studio placeholder. Environment and production identity — not a gear list.]